Mildred
Delois Taylor has been one of the leading writers for young
adults ever since her masterwork, Roll of Thunder, Hear My
Cry, won the Newbery Medal, the American Library Associations
highest honor for young adult literature, in 1977. In the
seven novels that follow, she continues the saga of the Logan
family that began in her book, Song of the Trees, as they
struggle to maintain their dignity and self-respect in the
face of overwhelming racism in rural Mississippi in the 1930s.
Their story is told in the voice of Taylors young protagonist,
Cassie Logan.
Taylor inherited the gift, indeed the responsibility,
of storytelling from her own family, especially her father,
whom she refers to as a master storyteller,
and many of her novels incorporate real-life family events
and characters. The critic Mary Turner Harper feels that
Taylors books are generated in much the same way that
Alex Hailey created material for Roots with faction,
a blend of fact and fiction. This combination createsa
fiction that is functional--one that enables young readers
to experience a world sometimes alien to them but, at the
same time, one that allows them to establish a kinship with
characters in their own age group who must confront challenges
of growing up in a less than ideal world.
The outside world may have been frightening,
even hostile, but the warmth and close family bonds evident
in the Logan family are indeed ideal. Author Chris Crowe
often notes in his new study, Presenting Mildred D. Taylor,
that no matter what your own family background may be, it
is impossible to read Taylors work and not long for
the familial closeness of her fictious family. This closeness
is even more poignant when, after even the briefest study
of Taylors life, one realizes how much of it is based
in reality. None of this is lost on Crowe, who paints a
gentle and loving portrait of a powerful artist who has
made a lasting impression on young adult literature with
her sensitive portrayal of family life and chillingly detailed
historical accounts of racism in the American South.
This volume is especially important since
Taylor values and protects her privacy and seldom grants
interviews or appears in public. Crowe, however, has been
fortunate enough to have her full cooperation on this book.
Here are the never-before-told stories of Taylors
background, childhood, family history, and political experience
as a member of the Black Studies program at the University
of Colorado (which she helped to found) in the late 1960s.
It is from these experiences that she takes her stories,
and using the storytelling talents of her family, brings
to life the characters that came alive in her own head when
she was a child. As readers we benefit from the product
of Taylors life, her writing; now Presenting Mildred
D. Taylor allows us to explore the process as well.
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